The Story of Osaka Castle (1961) [Film Review]

The Story of Osaka Castle; or, The Longest Day
     Although we lost to the Eastern army at the Battle of Sekigahara, it's an insult they should treat our 650,000 koku family like an ordinary daimyo and tell us to make a trip to Kyoto for greetings. Send back the messenger now. I, Yodo, cannot accept such an order. Never!
Being in the mood for a period picture, I decided to search for a film I have not seen yet. Therefore, I picked Hiroshi Inagaki’s The Story of Osaka Castle, a 1961 colour production with Toshiro Mifune and Kyoko Kagawa in the leading roles.
Release Info
Directed by: Hiroshi Inagaki Starring: Toshiro Mifune, Kyoko Kagawa, Danko Ichikawa
Language: Japanese Original Title: 大阪城物語 Runtime: 95 min
 
Synopsis
10 years after the famous Battle of Sekigahara, the Toyotomi clan initiates a conspiracy in order to stop Lord Ieyasu Tokugawa’s political activities to take over Japan. A wandering samurai called Mohei (Toshiro Mifune) arrives at Osaka and immediately gets entangled in a maze of intrigues together with a servant Ai (Kyoko Kagawa) and a ninja spy Saizo Kirigakure (Danko Ichikawa). The protagonists eventually discover a betrayal of the clan and they rush to Osaka castle to stop the bloodshed.
 
Black Ships, Damsels, and Samurai
I did not have any expectations for The Story of Osaka Castle, but I have to honestly say that the first act left me disappointed. The exposition is very chaotic and lots of characters are not helping in figuring out what the story is about. Nevertheless, when Toshiro Mifune steps into action, the viewers instantly know that he is the main protagonist.
 
Boring first act ends with Mifune’s character sent on a stealth mission, which he miserably fails. From this point on, the action picks up and the story itself becomes much clearer. I particularly liked that the Portuguese colonisers play a small part in the conspiracy. I love this part of Japanese history when the country was open to Western influences, and it is a real shame that the only major production that focuses on this aspect is the TV series Shogun from 1980, based on James Clavell’s popular novel.
 
When the third act started, I found myself thoroughly enjoying the film. It went from a boring flick to sheer epicness, as if straight from The Guns of Navarone (1961). It’s a blast seeing Mifune riding at a breakneck pace through the middle of a battlefield! The Osaka Castle looks really beautiful, indeed. The crew evidently shot a lot of footage on location and I hope that someday I will be able to see this famous landmark with my own eyes. Additionally, the magnificent music score by Akira Ifukube cannot go unnoticed.
 
With regard to performances, Toshiro Mifune is as great as in many other period pieces he did. Kyoko Kagawa has a great role as his love interest, but unfortunately, she disappears from the film’s finale. The amazing Akihiko Hirata has a small part as Mifune’s relative/foe (it’s complicated). Danko Ichikawa steals every scene as the happy-go-lucky warrior, similar to Robin Hood.
Recommendations
If you want to experience some traditional Japanese story, then check out The Story of Osaka Castle. The first third of the film is an exercise in patience, but the story significantly improves later. It may not be Hiroshi Inagaki’s wonderful Samurai Trilogy (1954–1956), but The Story of Osaka’s Castle definitely deserves attention nowadays.
Overall score: 7/10

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