Bullet in the Head; or, Justice for a Friend
You always called me Big Brother, I said being friends was enough. Among friends, rank is irrelevant.
Bullet in the Head is a 1990 action drama directed by John
Woo. Originally planned as a prequel to the successful A Better Tomorrow (1986) film,
the movie became a stand-alone story after Woo’s falling out with his long-time
collaborator Tsui Hark (who went on to make his own A Better Tomorrow III: Love and Death in Saigon (1989)). Does Bullet in the Head live up to being “John Woo’s most emotionally powerful film?” Let’s find out in this review.
Release Info
Directed by: John Woo Starring: Tony Leung Chiu-wai, Jacky Cheung, Waise Lee, Simon Yam
Language: Cantonese Original Title: 喋血街頭 Runtime: 126 min
Synopsis
The movie tells the story of three friends: Ben (Tony Leung Chiu-wai),
Frank (Jacky Cheung), and Paul (Waise Lee), who regularly brawl with gang
members in Hong Kong during the 1960s. Unfortunately, Frank accidentally kills
one of the mobsters and the friends decide to flee Hong Kong. They go to
Saigon, in order to work as smugglers in the ravaged by war Vietnam. However,
things do not go as planned and the protagonists find themselves on the run,
together with a hitman Luke (Simon Yam) and a nightclub singer Sally (Yolinda
Yam), from the Vietcong soldiers. Eventually, Paul betrays his friends for a
box of gold…
Casualties of War
Bullet in the Head stands out of John Woo’s rich repertoire
as not being just a standard bullet-ballet flick. It is neither as fast paced as A
Better Tomorrow nor as spectacular as Hard Boiled (1992). Nevertheless, the film’s
primary asset is a human drama set against the background of a harrowing
military conflict. John Woo’s reinvents the “bromance formula” known from his
other films by turning it into a war epic similar to Francis Ford Coppola’s
Apocalypse Now.
That is not to say that the film is simply a melodrama.
Bullet in the Head is filled with magnificent action set pieces (nightclub
shootout) and wonderful David Lean-like sequences involving large crowds of
people (riots scenes the evoking Tiananmen Square incident or Vietnam exodus scene).
However, the real show stealer is the final battle sequence involving the
characters played by Tony Leung and Waise Lee.
With regard to performances, Tony Leung is simply awesome in
the leading role, together with his co-stars Jackie Cheung and Waise Lee who
give him a run for his money. In addition, Simon Yam does great in the
supporting part and is given a surprisingly large amount of screen time.
Yolinda Yam’s short but memorable performance also deserves to be noted.
Allegedly, the film’s original runtime was approximately
three hours but John Woo had to cut it down to a little over 2 hours (original
theatrical version). Nevertheless, there are still some releases in circulation
which contain 10 to 11 minutes of additional footage, including an alternate (very low-key) ending.
Bullet in the Head is not a highly recognisable John Woo film,
not because it is a bad movie, but due to the fact that the picture was forced
to compete with Tsui Hark’s A Better Tomorrow III at the box office. As a
result, Bullet in the Head did not do well financially and John Woo moved on to
more conventional action flicks like Once a Thief (1991) and Hard Boiled.
Recommendations
If you are interested in John Woo’s filmography and do not
know where to start, then give Bullet in the Head a chance. If you are a
long-time fan, however, please revisit the film. I always discover
new things in this movie whenever I come back to it. To me, Bullet in the Head
is indeed Woo’s masterpiece.
Overall score: 9/10
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