After the Rain; or, Purification
With this current… even if the rain stops, the river will remain insuperable.
If I understand correctly, After the Rain is one of the few Akira Kurosawa’s projects that were made after his passing in 1998. I believe these were mentioned in a documentary devoted to the filmmaker called A Message from Akira Kurosawa: For Beautiful Movies (2000), but I am uncertain if the movies were made posthumously because Kurosawa wanted them completed or if his friends decided to honour the director in such a way. Either way, I would like to talk about one of the movies from this 2000-ish lineup; that is, After the Rain directed by Takashi Koizumi.
With this current… even if the rain stops, the river will remain insuperable.
If I understand correctly, After the Rain is one of the few Akira Kurosawa’s projects that were made after his passing in 1998. I believe these were mentioned in a documentary devoted to the filmmaker called A Message from Akira Kurosawa: For Beautiful Movies (2000), but I am uncertain if the movies were made posthumously because Kurosawa wanted them completed or if his friends decided to honour the director in such a way. Either way, I would like to talk about one of the movies from this 2000-ish lineup; that is, After the Rain directed by Takashi Koizumi.
Release Info
Directed by: Takashi Koizumi Starring: Akira Terao, Yoshiko Miyazaki, Shiro Mifune
Language: Japanese Original Title: 雨あがる Runtime: 91 min
Synopsis
Ihei Misawa (Akira Terao) is a ronin who roams through princely states in search of a new master. He is accompanied by his loyal wife Tayo (Yoshiko Miyazaki). They shelter themselves in an inn waiting for the rain to stop in order to cross the mountain. The Misawas help out the poor who also try to avoid heavy rainfall. When the sky clears, Ihei stops a fight between youngsters in the woods. This mature act draws the attention of a local master Lord Nagai Izuminokami Shigeaki (Shiro Mifune) who invites Ihei to his castle.
Ihei Misawa (Akira Terao) is a ronin who roams through princely states in search of a new master. He is accompanied by his loyal wife Tayo (Yoshiko Miyazaki). They shelter themselves in an inn waiting for the rain to stop in order to cross the mountain. The Misawas help out the poor who also try to avoid heavy rainfall. When the sky clears, Ihei stops a fight between youngsters in the woods. This mature act draws the attention of a local master Lord Nagai Izuminokami Shigeaki (Shiro Mifune) who invites Ihei to his castle.
Spectres in the Woods
Evidently, After the Rain was only based on Akira Kurosawa’s screenplay, but you can tell from the get-go that a great care was undertaken to replicate the feel of the master’s auteur cinematic style. Takashi Koizumi himself served as an assistant director on Kurosawa’s movies raging from Kagemusha to Madadayo. In addition, legendary composer Masaru Sato was brought on board to provide a film score. In addition, Kurosawa’s frequent performers also appear in the film.
Evidently, After the Rain was only based on Akira Kurosawa’s screenplay, but you can tell from the get-go that a great care was undertaken to replicate the feel of the master’s auteur cinematic style. Takashi Koizumi himself served as an assistant director on Kurosawa’s movies raging from Kagemusha to Madadayo. In addition, legendary composer Masaru Sato was brought on board to provide a film score. In addition, Kurosawa’s frequent performers also appear in the film.
What truly grabbed my heart was the sense of tranquillity oozing from this movie. Amazing cinematography wonderfully captures vivid images of nature, forests, and rivers. Indeed, the film could have been made back in the 1960s, but I really appreciate the fact that it took 30 years to make because we can appreciate all the sequences in colour.
The story itself cannot go unnoticed as well. The main character is a different type of regular on-screen samurai. Ihei Misawa is a man known for his kindness and generosity. Paradoxically, these are the personality traits that frequently get him in trouble and render him unemployed. With its narrative structure (memories and flashbacks), After the Rain feels like a classic fairy tale.
Some viewers on letterboxd expressed disappointment with regard to the ending of the film, but I think it could not have been more perfect. It is touching and at the same time witty conclusion of the misunderstanding between Misawa and the local master.
With regard to performances, Akira Terao (who already appeared in Ran, Dreams, and Madadayo) really shines as the main hero. The same can be said about Yoshiko Miyazaki who plays the graceful wife. Shiro Mifune is very convincing as the hot-headed Lord Shigeaki, but he also gives his character a touch of comedy. The legendary Tatsuya Nakadai appears in a cameo role as the mentor figure of the main character.
I did manage to see the film by complete accident because I spotted a DVD at a book exchange point in my local shopping centre. The disc was issued in 2004 by Tantra distribution label and it is a widescreen version placed within 4:3 aspect ratio, so to get out the original resolution of the film, I had to scale the film via VLC software. There are no bonus features on the disc, but at least the translation seems okay and you have the option to choose between Polish subtitles and Polish voiceover. Interestingly, the distribution label was issued the film on VHS, but I don’t know if it was a 4:3 pan-and-scan version or the widescreen release as on the DVD.
Recommendations
All in all, I extremely enjoyed this film and I wholeheartedly recommend it to not only Akira Kurosawa’s fans but also to viewers who look for peaceful movies to pass their free time. After the Rain is undoubtedly for keeps. Overall score: 10/10
All in all, I extremely enjoyed this film and I wholeheartedly recommend it to not only Akira Kurosawa’s fans but also to viewers who look for peaceful movies to pass their free time. After the Rain is undoubtedly for keeps.
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