A Scene at the Sea (1991) [Film Review]

A Scene at the Sea; or, The Calmest Ocean
     He comes every day. He's getting much better.
A Scene at the Sea is the third feature film directed by the great Takeshi Kitano. Interestingly, it is also one of the few director’s filmmaking endeavors which do not contain overt violence or yakuza references. Instead, the movie tells the simple story of love between people and love for the ocean.
Release Info
Directed by: Takeshi Kitano Starring: Claude Maki, Hiroko Ooshima
Language: Japanese Original Title: あの夏、いちばん静かな海。Runtime: 100 min
Synopsis
Shigeru (Claude Maki) is a young man who is a deaf-mute. He works as a helper at a company which deals with garbage collection. One day, while collecting garbage, Shigeru spots a broken surfboard. He takes the board with him and fixes it. With the help of his girlfriend Takako (Hiroko Ooshima), who is also a deaf-mute, Shigeru takes the surfboard to the seaside and starts practicing. He is determined to learn how to surf.
Kitano Blue
Similarly to Boiling Point (1990) and Getting Any (1994), A Scene at the Sea remained a rare Kitano film which was hard to track down in the West. Nevertheless, thanks to the power of the internet, I finally managed to watch it.
Think of this movie as it were a crossover between Charlie Chaplin’s City Lights (1931) and Luc Besson’s Le Grand Bleu (1988).Takeshi Kitano himself expressed in an interview that a painter needs only one image in order to tell a story, whereas a film requires 24 images per second in order to get anywhere. So, it was his intention to make a film in which the story is told not through dialogues but visuals. If it had not been for occasional remarks of the supporting characters, A Scene at the Sea could very well be classified as a silent film.
Nevertheless, it is so gorgeous looking! Every aspect of the production, from the performances through shooting locations to cinematography, is just outstanding. I can’t get enough of the seaside locations featured in the film. Additionally, whenever Joe Hisashi’s music score kicks in, I get super elated.
Kitano admits that if it had not been for Hisashi’s music, the movie would not have been such a powerful viewing experience. Indeed, the score really enhances many scenes, such as the bus stop sequence, Shigeru’s training, or the tear-jerking ending.
In addition, I have to praise the performances of Claude Maki and Hiroko Ooshima who played just with their expressions. Maki would go on to appear in Kitano’s later film, Brother (2000), whereas Ooshima did not continue her movie career. A Scene at the Sea remains her only acting credit to date. Interestingly, the movie marks the first appearance of Susumu Terajima as Kitano’s regular.
Recommendations
If you want to see the poetic side of Takeshi Kitano, then A Scene at the Sea is a must see! It is a quiet story about an (extra)ordinary couple and their passion set amidst the calming blue. Highly recommend it.
Overall score: 9/10

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Exit (2019) [Film Review]

Exit; or, The Ultimate High!
     You really don’t get it! You think you are safe? You’re living inside a disaster. Earthquakes and tsunamis aren’t the only disasters, our lives are the very definition of disaster!
Exit marks the directorial debut of Lee Sang Geun. This disaster/action/comedy film became South Korea's third highest-grossing domestic production for the year 2019 (after Parasite and Extreme Job). In addition, it won in two categories at the 40th Blue Dragon Film Awards. Get your climbing gear out because we are going to take a leap of faith with Exit.
Release Info
Directed by: Lee Sang Geun Starring: Jo Jung Suk, Im Yoon Ah, Go Do Shim,
Language: Korean Original Title: 엑시트 Runtime: 103 min
Synopsis
Yong Nam (Jo Jung Suk) is an experienced rock climber who can’t find a job, so he is forced to live with his relatives. He fell in love with a fellow climber Eui Joo (Im Yoon Ah), but she basically friend-zoned him. A few years later, the two of them meet at Yong Nam’s mom's 70th birthday celebration at a prestigious party complex. In the meantime, a crazy scientist releases a toxic gas which engulfs the central district of Seoul and continues to expand upward. Eui Joo as well as Yong Nam and his family are stranded in a building. In order to save themselves and others, the two climbers join forces in order to get up as high as possible and signal for rescue.
Don’t Look Back and Run
The year 2019 was filled with many epic releases from Asian countries, but Exit somehow passed me by (I guess I was too consumed by the craze generated by Parasite). Still, I was more than aware of positive reviews, but in 2020, I was waiting for some good offer on digital platforms to check it out.
When I finally did see Exit, my mind was blown away. Finally, South Korea did a light-hearted action flick that ticks all the major points of an enjoyable summer blockbuster. I would even dare to classify Exit as a climbing film, even though the action is not set in the mountains but in a metropolis.
If you can recall Sylvester Stallone’s ridiculously pleasing Cliffhanger (1993), then please do know that Exit is a Cliffhanger on steroids. Thanks to a skilful mixture of practical effects and green screen, the main protagonists are ascending/descending and jumping from one building to another in order to avoid the deadly gas and stay alive. On top of that, the great script provides such a powerful sense of chemistry that I found myself cheering even for the supporting characters.
Without a doubt, Exit is a thrilling roller coaster with lots of (literally breathtaking) set pieces. My words of appraisal go to the main stars Jo Jung Suk and Im Yoon Ah who were so great together on the screen. Interestingly, Exit marks Im Yoon Ah’s second movie role after her appearance in Confidential Assignment (2017) (I knew I have seen her somewhere!). Jo Jung Suk, on the other hand, is always "Mr. Cool Guy."
 
Recommendations
If you want to see a fast-paced disaster flick without too much drama and pathos, then Exit is the choice for you. Make sure to grab an HD copy to fully enjoy those stunning climb sequences. I know this is wishful thinking but we need a sequel or at least a similar flick made by the same filmmaking team ASAP!
Overall score: 9/10
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Welcome Back, Mr. McDonald (1997) [Film Review]

Welcome Back, Mr. McDonald; or, The Time of Radio
     Radio drama has something TV doesn't. For example, if you do sci-fi on TV, in order to compete with Hollywood movies, you need expensive special effects and computer graphics. But in radio, a narrator can just say "outer space", and there you are, out in space! With radio you can go as far as the imagination itself!
The film Welcome Back, Mr. McDonald marks the cinematic debut of Koki Mitani, after having directed theatre plays and TV shows. The movie is not only a love letter to immortal radio dramas, but it also serves as an homage to the movies of Juzo Itami. Unsurprisingly, it won three Japanese Academy Awards upon its release.
Release Info
Directed by: Koki Mitani Starring: Kyoka Suzuki, Toshiaki Karasawa, Keiko Toda, Masahiko Nishimura
Language: Japanese Original Title: ラヂオの時間 Runtime:103 min
Synopsis
Miyako Suzuki (Kyoka Suzuki) is a housewife who won the Radio Benten Drama Competition (actually, she was the only contestant). She wrote a screenplay for a romance drama called The Woman of Destiny. The radio managers intend to make a premiere of the drama as a live broadcast due to start at midnight. Everything seems to be in order and the general rehearsal is flawless. However, the main actress, Nokko Senbon (Keiko Toda), demands that the name of her character should be changed from Ritsuko to Mary Jane. This ridiculous request sets in motion a chain of numerous rewrites. As a result, Miyako together with director Kudo (Toshiaki Karasawa) and the rest of the cast and crew make stuff up just as the show is on the air. The Woman of Destiny becomes a drama about an ambitious lawyer from Chicago torn between the love for two men: Heinrich and Donald McDonald.
Drama Magic
I have to say that I saw Welcome Back, Mr. McDonald a few years ago first time round, but only after revisiting the film recently, I realised how much I love it. Movies about the charm of radio times constitute an entire genre of their own (most obvious examples, Radio Days (1987) and Radioland Murders (1994)), and Koki Mitani’s movie definitely occupies a top place among them.
You brag about Sam Mendes who filmed 1917 (2019) in such a way that it looks like one, continuous shot? In that case, watch the first scene of Welcome Back, Mr. McDonald which, indeed, is a real single shot which lasts 5 minutes! Even though the film’s setting is the same for the majority of the story (the recording studio), the wacky screenplay provides enough of dynamic pace and exciting twists to make it an entertaining flick. 
Maybe it is just me, but I have an affinity for stories about people working late in empty offices. Huge advantage of the film are heart-warming characters who make stuff up as they go along. All in all, the subplot about mysterious pilot/astronaut Mr. Donald McDonald has to receive some kind of closure!
In addition, you can spot such nods to Juzo Itami as a small cameo from Nobuko Miyamato herself and the return of Yaro, a truck driver from the film Tampopo (played by the great Ken Watanabe). There are also Yoshimasa Kondo and Masahiko Nishimura (both of whom appeared in Itami’s Marutai no Onna (1997)).
Needless to say, the final act of the film is so epic that it made me do an air punch. Welcome Back, Mr. McDonald may be primarily a comedy, but it is also a thoughtful commentary on the show business and how one’s passion influences creativity.
Recommendations
If you like the movies of Juzo Itami and Koki Mitani, then you need to check this film ASAP. It is a superb movie that will certainly warm you up inside during Autumn evenings. If you will happen to grab the Japanese DVD edition, then you are in for a bonus commentary track from the director himself. All things considered, Welcome Back, Mr. McDonald is just fantastic!
Overall score: 10/10
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