Fuben na Benriya (2015) [Drama Review]

Fuben na Benriya; or, Handymen to the Rescue!
     When the coal mine was closed, a lot of people left this town. It’s easy to say that it was the flow of the time. But it was brutal. Our life became convenient and ambiguity was gone. But that means that the world of fantasy is invaded. I’m worrying that people may stop dreaming before very long
I remember trying to check out Fuben na Benriya drama (literally Inconvenient Handymen) about two years ago, but I had to drop it because of technical difficulties. Finally, I managed to find all 13 episodes and I binge-watched them from beginning to the end. Having expected a peaceful asadora-type of show, I was pleasantly surprised that Fuben na Benriya is so much more than that!
Release Info
Directed by: Takayuki Suzui Starring: Masaki Okada, Kenichi Endo, Kosuke Suzuki
Language: Japanese Original Title: 不便な便利屋 No. of eps.: 12 + SP
 
Synopsis
Jun Takeyama (Masaki Okada) is a young scriptwriter from Tokyo who travels to the city of Furano (located in Hokkaido Prefecture). However, the bus stops in a nameless village because of a snow storm. Jun tries to find a place to wait out the storm, but the local hotel is closed. He walks into a bar and, surprisingly, all attendees ask him his name. When Jun confirms his name, everyone becomes ecstatic. It turns out that a man called Batsu (Kenichi Endo) has been searching for his missing son who is called Jun for 23 years. Jun the screenwriter denies any kind of blood relation, but he gladly joins the party and, consequently, wakes up the other day without his down jacket and cell phone. On top of that, he can’t leave the village because of the storm. He is forced to stay with two men who run the handyman business, the aforementioned Batsu and Matsui (Kosuke Suzuki).
 
In the middle of nowhere
To be honest, the reason why I picked this drama was because of Kenichi Endo and Kosuke Suzuki in the leading roles (Doctor X, people!). Nevertheless, Masaki Okada totally won me over with his exaggerated expressions! From the synopsis, you may think that Fuben na Benriya is boring drama, but it’s nothing like that. It is a touching comedy about three guys who try to do something positive for a small town.
 
Each episode begins with Jun writing a letter to his mom. Then, some kind of a conflict or misunderstanding happens (be it the arrival of a stranger or unconfirmed rumour). Jun, due to his wild imagination of a scriptwriter, is the first to jump to conclusions, which leads to disastrous (and hilarious!) consequences. At the very end of each story, Jun almost always ends up being in some kind of uncomfortable indisposition.
 
I particularly liked the subplots of Jun, Batsu, and Matsui, but the drama is riddled with many side stories focusing on the citizens of a small town. One may feel that this is slice of life, but these stories always end in a quirky way (for example, Yuki-onna episode!).
 
On top of that, I feel in love with the location. I have no idea where the crew shot the drama but it must have been somewhere in Hokkaido (actually, Hokkaido’s famous landmarks are featured in one of the episodes). In addition, the winter atmosphere is simply irreplaceable! The house of Matsui and Batsu is also outstanding! In my opinion, it resembles Tigger’s tree house from The New Adventures of Winnie the Pooh.
 
I do not want to get into the spoilers area, but let me just say the ending was bittersweet rather than happy. The last episode tackled some really serious issues, but also moved me incredibly. There was also a SP released in 2016, but it has not been translated to date. From my rudimentary knowledge of Japanese, I gathered that Jun came back to the village in order to help out Matsui shot a short feature film for Sapporo Film Festival, but, as always, things got a bit out of control.
 
With regard to performances, Masaki Okada literally steals the show. He’s really good at comedy (Legal High!) and I think that he should portray mature Detective Conan in the live-action version of the anime. Endo Kenichi and Kosuke Suzuki are also wonderful. Due to Doctor X, I always associate these actors with this medical drama whenever I see them, but as handymen they are nothing like the doctor characters. Both of them give very heart-warming performances.
 
Recommendations
If you want a soothing drama with great visuals and off-the-wall comedy elements, then Fuben na Benriya is the choice for you. Oh, did I mention that during the making of this drama the real Guinness record was set for the highest number of snowmen made in one hour (episode 11)?! To conclude, Fuben na Benriya is a light and enjoyable drama. When you are in need, the handymen will always help you out.
Overall score: 9/10

The Very Last Day (2018) [Film Review]

The Very Last Day; or, Fatal Attraction
    You also wrote about your sister’s death, your grandfather’s disease, your best friend’s suicide. Should I go on? This is not inspiration, it’s called theft.
The Very Last Day is an indie Taiwanese drama from 2018 directed by Cédric Jouarie. The movie came to my notice, when the director contacted Asian Film Fans a month ago (you can read my interview with him here). Needless to say, what initially seemed to be low-key drama unexpectedly turned into a hardcore settling-the-score flick. This is my review of The Very Last Day.
Release Info
Directed by: Cédric Jouarie Starring: Wei-Yi Lin, Lawrence Ong, Heng-Yin Chou
Language: Mandarin Original Title: The Very Last Day Runtime: 122 min
 
Synopsis
Raymond (Lawrence Ong) is a prosperous fiction writer. On the surface, everything about his life seems perfect. The writer is wealthy and respected. He is also married and has a daughter (Meng-Hsueh Lee). However, Raymond’s relationship with his wife, Viola (Heng-Yin Chou), becomes increasingly tense. The wife accuses Raymond that he is stealing the experiences of other people and uses these as ideas for his books. Raymond finds consolation in a strange fan who introduced herself as Miss Melanie (Wei-Yi Lin). She suggests to Raymond that they should leave their problems behind and go on vacation to a remote village. The writer accepts the offer…
 
Memories That Remain
Director Cédric Jouarie stated that the production was based on his personal experiences. Indeed, The Very Last Day seems like a meta-story with a double twist that evokes such memorable motion pictures as Misery (1990), Audition (1999), and Hard Candy (2005). Nevertheless, I personally found certain scenes to resemble the style of the great Edward Yang. The action seems very slow in the first half of the film, but the speed picks up at the moment when the viewers’ expectations are subverted.
 
The Very Last Day is a hard viewing experience because the film focuses on a difficult topic. Nevertheless, its message in the age of MeToo movement is loud and clear. That is to say, no sexual predator should feel safe from punishment.
 
With regard to performances, all the actors clearly gave their best in front of a camera. The lead performers Wei-Yi Lin, Lawrence Ong, and Heng-Yin Chou were simply amazing in their roles. The director mentioned that they happened to be stage performers who had necessary stamina to endure up to six takes or even more. In addition, he explained the meaning behind the title which “expresses this idea that all it takes is one day, one moment, one event for your life to be changed forever.”
 
Of course, like any other work of fiction, this movie as well is open to interpretation. Nevertheless, I will not spoil the twists for you, but let’s just say that I viewed one of the characters as an entirely negative individual, in spite of all the ambiguities around this person.
 
Recommendations
If you have the time, then please check out The Very Last Day. It is highly recommended to anyone who wants to experience an unpredictable story with shocking moments. I wish that we could get more independent productions like this one.
Overall score: 9/10

Hikonin Sentai Akibaranger (2012-2013) [Tokusatsu Review]

Hikonin Sentai Akibaranger; or, Pain is Strength!
     I am… a man who’s so painful that I can break the barrier between delusion and reality! I don’t care if it’s reality or not! I will transform and fight!
My journey with Super Sentai continues for 2 years now. I have checked out roughly about a dozen of entries, and Tokusatsu Gagaga drama, but absolutely nothing prepared me for the wrecking ball of spellbinding grandeur that Hikonin Sentai Akibaranger [Unofficial Squadron Akibaranger] actually is.
Release Info
Created by: Hatte Saburo Starring: Masato Wada, Kyoko Hinami, Karin Ogino,
Maaya Uchida, Shione Sawada, Ai Shimomura
Language: Japanese Original Title: 非公認戦隊アキバレンジャー No. of eps.: 26 (2 seasons)
 
Synopsis
Hiroyo Hakase (Maaya Uchida) is the owner of a Super Sentai cafe shop in Akihabara district, Tokyo. She inherits from her missing father three strange Moe Moe Z-Cune devices. She recruits Nobuo Akagi (Masato Wada), a delivery guy; Yumeria Moegi (Karin Ogino), a cosplayer; and Mitsuki Aoyagi (Kyoko Hinami), a high-school student. Together, they use the devices and transform into Akibarangers; however, they are an unofficial Sentai team, not recognised by Toei. They battle evil in the realm of delusions, but very soon, malevolent villains find their way into reality. Now, Akibarangers have to protect not only their beloved district but also the entire Super Sentai Universe from being destroyed by numerous foes, including evil commander Malshinna (Ai Shimomura), mysterious Doctor Z (Kazuki Yao), and fanatic otaku Tsuu Shogun (Ryo Horikawa). Little do the Akibarangers know that there is a superior mastermind lurking in the shadows…
 
For the glory of Tokusatsu!
Let me start with stating that Hikonin Sentai Akibranger is the ultimate love letter to the Super Sentai franchise. Even though the show promotes itself as a Sentai parody meant for mature audiences (Remember, good little kids shouldn’t watch it!), it includes literally everything a Super Sentai fan would love to see: from countless Easter eggs through cameos of the tokusatsu veterans to featuring official teams. Akibaranger has it all and even more! That is to say, it is an enjoyable show.
 
Speaking about Season 1, the first five episodes are harmless fun, with Akibarangers poking fun at many clichés of the franchise. However, when the rules of the established universe are broken (which is described by the characters as a shake up), the show starts getting pretty serious. To be honest, I really felt as if I was watching a Japanese version of Doctor Who. Over-the-top villains and non-stop action left me breathless! (On a side note, Hatte Saburo is not a real person, but a collective pen name used by Super Sentai writers and producers).
 
With regard to Season 2, I had a feeling that I won’t like it, but it really surpassed my expectations. Everything seemed bigger and braver! The only thing I disliked was the replacement of AkibaBlue. The new character, Luna Iwashimizu (played by Sione Sawada), is very good, but Mitsuki (Kyoko Hinami) had better chemistry with the team. Also, this season was focused on fixing broken timelines (even more Doctor Who feels!), which I greatly enjoyed. I read that some fans disliked the finale, but I thought it was a brilliant send-off. It ended on such a high note! How I wish there was a third season!
 
Now, a few words about the characters. I totally love Akibarangers. If only they had not been the unofficial team. They have great personalities and they actually develop throughout the series. As for the villains, Malshiina (a.k.a. ©Na; meaning Copyrighted Name) steals every scene she is in (but Tsuu Shogun is the second best villain, to me). She’s got the looks, the swag, and the sass. Nevertheless, the prettiest female character of the series, in my opinion, is Hiroyo Hakase. I love her heart-warming smile and exaggerated mental breakdowns.
 
It has to be noted that many tokusatsu veterans served on this series, including Ryuta Tazaki (Kamen Rider), director/character designer Keiichi Satou (Tiger & Bunny, Gundam), writer Naruhisa Arakawa (Kamen Rider Kuuga), and the legendary composer Kenji Kawai (Ghost in the Shell).
 
Recommendations
If you are in the mood for a ridiculous comedy mixed with science fiction elements, then please check out Hikonin Sentai Akibaranger. However, some previous knowledge of the Super Sentai franchise is required in order to fully enjoy it. All things considered, this show communicates the important message that you don’t have to be an officially recognised hero in order to make a difference. Being a fan who is good at heart is enough… Juu-Mousou Zukyuun!
Overall score: 10/10

[Final Recommendation] 5 Taiwanese Movies for the Isolation Period

Is the coronavirus situation getting you down? Do you find it difficult to spend days within the confines of your household? Try to pass the time with some Asian movies! On this blog, I’m going to provide my personal movie recommendation for the isolation period. So, gently sit back, and let’s go through the 5 Taiwanese productions that can ease your stay at home:
5. The Wedding Banquet (1993)
      Synopsis: Meet Wai-Tung Gao (Winston Chao). He is a prosperous businessman with an American citizenship. His Taiwanese parents, Mr and Mrs Gao (Sihung Lung and Gua Ah-leh), are fruitlessly urging Wai-Tung to get married. The problem is that Wai-Tung is living together with his friend Simon (Mitchell Lichtenstein) as a gay couple and he’s afraid to tell the parents. In the meantime, Wai-Tung’s tenant, Wei-Wei (May Chin), finds herself out of a job and in need of a green card. Simon comes up with an idea to accommodate all parties: Wai-Tung will have a sham marriage with Wei-Wei. In this way, she will get to stay in the U.S. and the parents will let Wai-Tung off the hook. What can possibly go wrong?
     Opinion: The Wedding Banquet is not so much a comedy of mistakes than a careful observation of family relations. In an almost documentary-like fashion, Ang Lee presents us with the wedding party that is the ultimate culmination of Wai-Tung and Wei-Wei’s fraud as well as Mr and Mrs Gao’s long-time dream. Although this is just fiction, we find ourselves cheering for all the characters to find a proper solution to their problems (which they do, in a way). This movie is not about gender politics but a genuine, unpronounced love between family members which provides a room for reconciliation between Eastern and Western values.
4. Goodbye, Dragon Inn (2003)
    Synopsis: 90 minutes from the lives of people who are at the theatre watching Taiwanese wuxia classic “Dragon Inn” (1967).
     Opinion: I know that this description is a bit tight, but that’s what happens in the entire movie. With the usage of long shots and very little dialogue, director Tsai Ming Liang examines the relationship between the spectators and the silver screen.
3. Pushing Hands (1991)
     Synopsis: Mr Chu (Sihung Lung) is a Tai Chi master who arrived from Taiwan in order to live in the U.S. together with his son Alex (Bo Z. Wang) and his family. While educating his grandson Jeremy (Haan Lee), Mr Chu is unable to communicate with Alex’s wife, Marta (Deb Snyder), who is an aspiring writer and desires peace and quiet at home. Mr Chu finds it increasingly difficult to live within Western culture, but he seeks solace in contact with Mrs Chen (Wang Lai), a cooking instructor at a Chinese Community Centre. The family drama escalates to such a degree that Mr Chu leaves the house in order to find luck on his own on the streets of New York.
     Opinion: If you like slow but engaging slice of life story then this movie is very much for you. Although the movie lasts 100 minutes, it touches upon many issues which are important even today like the generational gap, tradition vs. progress or stoicism consumed by urban hustle and bustle. Pushing Hands is a perfect choice for a quiet family evening.
2. Eat Drink Man Woman (1994)
     Synopsis: Mr Chu (Sihung Lung) is a widower and a master Chinese chef living in Taipei together with his three unmarried daughters: Chu Jia-Chien (Chien-lien Wu), an execute working in an airline industry; Chu Jia-Jen (Kuei-Mei Yang), a school teacher who has issues with relationships and seeks consolation in Christianity; Chu Jia-Ning (Yu-Wen Wang), a college student who accidentally gets involved with her friend’s ex-boyfriend. The family lives through everyday existence while ritually eating every night large portions of elaborate dishes prepared by Chu.
     Opinion: In Eat Drink Man Woman, Ang Lee beautifully dissects the fabric of modern-day family in the face of rapid globalisation and fading tradition. As in the case of The Wedding Banquet, the viewer finds himself rooting for all the characters, but the outcome is very much an unexpected one. I safely recommend Eat Drink Man Woman to anyone looking for a peaceful two-hour story set in Taiwan.
1. Yi Yi (2000)
     Synopsis: The movie presented the daily existence of the Jiang family in Taipei. The story focuses in particular on three characters: the middle-aged father NJ (Wu Nien-jen), the young son Yang-Yang (Jonathan Chang), and the teenage daughter, Ting-Ting (Kelly Lee). Through such events as weddings, baby showers, and funerals, we discover the intricacies of human life.
     Opinion: Edward Yang’s final masterpiece. Do not hesitate and immerse yourselves in the mesmerising reality of Taipei for three hours. A compelling story and vivid characters will make you remember this movie for years.

This is the end of my recommendation series. I hope that you will pick up some of the suggestions. If so, don’t hesitate to share your opinion on the films in the comments! Thank you for reading.