Keizoku [Unsolved Cases] (1999) [Drama Review]

Keizoku; or, Tales from the Dark Side
     If my father were alive, he’d say: Till your heart stops beating, dash for the truth. That’s what it means to be a detective. Those were his last words.
I found myself in a dire need to watch some mystery/detective series. I don’t know why, but perhaps, with the advent of fall, I felt in the mood for a serious and dark drama with a case-of-a-week structure. To my surprise, the glorious internet hinted at… Keizoku 2 SPEC! “But what is it?” I asked myself. I watched the first episode and, though I liked it, I quickly realised that there is some sort of a continuity about which I was uniformed. As a result, after doing some further research, I discovered that SPEC is actually a second entry in the series, which started back in 1999. Well, for the continuities sake, I put SPEC on hold in order to check out the original Keizoku series, and, oh boy, I don’t regret my decision. Here’s my review of Keizoku: Unsolved Cases (1999).
Release Info
Developed by: Yukihiko Tsutsumi Starrring: Miki Nakatani, Atsuro Watabe, Sarina Suzuki, Raita Ryu
Language: Japanese Original Title: ケイゾク No. of eps.: 12
 
Synopsis
Shibata Jun (Miki Nakatani) is a Tokyo University graduate sent down to Tokyo Metropolitan Police Department for internship. She is assigned to much-despised Section 2, which does not handle big cases, but instead focuses on solving “pending” ones, having accumulated stacks of unsolved mysteries over decades. Shibata, due to her unusually perceptive mind and outstanding deduction skills, begins solving cases one by one. Eventually, co-officers start helping her out. Nevertheless, one of them, Mayama (Atsuro Watabe) suffers from a dark and painful past. A hidden enemy, lurking in the shadows, is about to destroy Mayama. Shibata has to discover the villain’s true identity before it’s too late.
 
Keizoku is a very well thought-out crime thriller that will definitely keep you on the edge of your seat. In spite of being gruesome and creepy, there are still some comedic elements in it. Initially, the show starts out very much in the style of a Monk (2002) format: there is a certain super difficult case, Section 2 does some wacky shenanigans along the way, and the culprit turns out to be the least suspected person in the room. However, with episode 8, the whole show takes a U-turn and enters the surreal realm, in which we are not sure what is true and what isn’t. Things go super-ultra dark as the characters are running amok through the curtains of psychotic visions while the body count keeps rising and rising...
 
Now a few words about the characters:
Sergeant Shibata Jun (Miki Nakatani): Main protagonist of the show. Her mind goes into a full Rain Man mode whenever she sees a case file. Her late father was a prominent and well-respected detective in the police force. Famous attributes: a neck scarf, longish coat, and greasy hair.
Detective Mayama Toru (Atsuro Watanabe): Disillusioned and complacent officer with a lot of experience. He was a prominent investigator back in the past, but a personal tragedy broke his psyche. Frequently goes out of control as he gets easily provoked by suspects. A badass with a gun. Does not believe in the institution of law.
Aya Kido (Sarina Suzuki): An officer demoted and transferred from Section 1. Used to be a top undercover agent, but now she is forced to carry case-files down to Section 2’s basement. Very often has to step into action in order to save entrapped Shibata.
Section Chief Nonomura (Raita Ryu): Head of Section 2. Treats Shibata very kindly, because he and her father used to be colleagues in the past. Now, he is nothing of a detective and spends time counting days to his retirement. He also plans on divorcing her wife, so he could marry a mysterious 17-year-old Miyabi.
Kondo Akio (Yuu Tokui) and Taniguchi Tsuyoshi (Hidekazu Nagae): The first one is a police officer who behaves more like a salaryman. He sits most of the time in front of a computer and a software tells him to call it a day at 5:15. Avid dancer. Taniguchi, on the other hand, is a muscle man who is required in heated situations.
 
With regard to the show itself, below are short descriptions and my thoughts on individual episodes (I tired to keep them spoiler free):
Ep. 1: Phone Call from the Dead Man- The show starts right off the bat with its mystery component as a guy receives a phone call from a friend who’s supposed to be dead. Shibata volunteers to investigate the case and plot twists start to happen. Very engaging first story.
 
Ep. 2: Punishment Table of Ice- A security guard walks into a storage and discovers a body, stabbed with a knife, lying on the altar. Awesome suspense story, which delivers laughs as well as a convincing “whodunit” explanation at the very end.
 
Ep. 3: The Wiretapped Murder- My least favourite episode of the whole show. Wife of a murdered boutique owner discovers that his former employee/lover participated in the murder. As a result, Section 2 wiretaps the lover’s apartment only to discover that she was murdered. The development of the mystery is interesting but the resolution is over-dramatised and full of plot holes. How the culprit actually managed to carry in and install a fake wall in a block of flats without raising the attention of its residents?
 
Ep. 4: The Room of Certain Death- This mystery is a huge improvement over the previous one. Shibata and Mayama are sent to investigate the allegedly “cursed” room in a traditional inn. Legend has it that people who intend to sleep there do not make it through the night and are found dead the next morning. Extremely hilarious episode with an Agatha Christie-feel to it.
 
Ep. 5: The Man Who Saw the Future- Section 2 makes a blunder when failing to find a missing person. Desperate wife of a man in question turns to television for help. In consequence, an ESP expert uses his powers to locate the husband. He travels with the camera crew to an office building where they find the murdered victim. Shibata arrives shortly after only to claim that ESP expert commited the murder. Yet, how was that possible if he was constantly being recorded by a camera? Interesting inverted detective story.
 
Ep. 6: The Wickedest Bombing-Demon- Things are about to get stirred as Mayama’s former superior, Lt. Tsubosaka, asks Section 2 for help on a case he has been working on for the last 15 years. Only Shibata signs up for it and starts the investigation. Unfortunately, this episode repeats the mistakes of the third one due to overcomplicated exposition and adding too much drama.
 
Ep. 7: Death Curse of the Oil Painting- By far, my top favourite episode. There is a cursed, hellish-like, painting and people die after witnessing that playing children actually moved on the canvas! In addition, there’s a great villain with an awesome killing motif! Mayuko Takata really had the potential to become a serious actress, but instead, she received the label of Iron Chef personality. 
 
Ep. 8: Farewell, Lovely Cutthroat- Shibata is invited by her friend Meiko to a party. Next morning, Shibata wakes up in a hotel next to a dead guy. Now, she has to act like Harrison Ford in The Fugitive (1993) in order to prove her innocence. At the very end, it turns out that there’s a hidden mastermind behind all this...
 
Ep. 9: Future Revenge of the Past- An episode which marks the character’s descend into the spiral of madness. Mayama’s back-story is finally revealed, people being to drop dead, and the premise of a showdown with the arch-nemesis is set up. This story is equally thrilling as well as heartbreakingly depressing. I had to give myself a two-day break after this episode.
 
Ep. 10: Your Own Two Eyes- Mayama leaves a blood trail which alarms the MPD officials. Shibata and Section 2 members set out on a search for Mayama, convinced of his innocence. In the meantime, it turns out that the arch-nemesis may not be the real arch-nemesis. Lots of twisted and bloody moments, definitely not for the fainthearted.
 
Ep. 11- The Kiss of Death’s Flavour- Emotionally-charged series’ finale as Shibata reunites with Mayama and the two stand to a battle they are sure to lose. I want to keep this review spoiler free, so I’ll limit myself to say that the episode has an action showdown, ends with a cliff-hanger, and then adds a plot twist on top of that. Great and unpredictable story.
 
Ep. 12- The Cursed Tree That Fulfils a Contract of Death (SP)- A 97-minute-long special episode which takes place a couple of months after the events from the previous one. Shibata has been promoted to a chief of a district station, but she chases after a case of a cursed tree. According to rumours, people die after their names are carved in the wood. In the meantime, Tohyama, a Kyoto University graduate, does his internship at Section 2. He proves to be the total opposite of Shibata, which provides lots of laughs. The overarching story is continued.
 
To sum up, if you like a dark police drama with intriguing mysteries and surreal intermissions, then Keizoku is a must-watch for you. In addition, the music score is brilliant (plus Nakatani's intro song "Chronic Love"). The only thing I disagree with, as far as the show’s criticism is concerned, is the claim that it’s too dated ‘cause it’s from the 90s. Sure, the show may not be perfect, but its time frames are not the issue. It may have a one cliff-hanger too far (a lead-in to a theatrical film) and the 4:3 aspect ratio can be bothersome, but only because the show’s camera work was too ambitious for that TV format. In my opinion, the 90s feel only reinforces the atmosphere of the grim world in which Keizoku is set. Being overshadowed by its successor, Keizoku 2 SPEC, this drama is not getting the attention it deserves. Personally, I’d love to see a modern follow-up to Shibata and Mayama’s story.
 
Overall score: 9/10

Tokyo Raiders (2000) [Film Review]

Tokyo Raiders; or, Trust Nobody
     A private eye who speaks bad Japanese, but I like him.
With this month’s premiere of Europe Raiders (August, 2018), I decided to find out what it’s all about with the filmmaker Jingle Ma and his directorial Raiders franchise, starring Tony Leung Chiu-Wai as the main lead. Strap yourselves in as we are going to descend into the fun chasm of Tokyo Raiders.
Release Info
Directed by: Jingle Ma Starring: Tony Leung Chiu-Wai, Ekin Cheng, Kelly Chen
Language: Cantonese, Japanese Original Title: 東京攻略 Runtime: 100 min
 
Synopsis
Macy (Kelly Chen) is hopelessly waiting for her fiancé Takahashi (Toru Nakamura) at the altar, but he does not arrive. While searching for him in Japan, she is joined by an interior designer Yung (Ekin Cheng) who claims to have been financially conned by Takahashi. The two find themselves being chased by a yakuza crime boss Ito (Hiroshi Abe) who also, for some reason, is looking for the elusive Takahashi. Macy and Yung are rescued by Lam (Tony Leung Chiu-Wai) who claims to be a private detective framed by Takahashi. The trio decides to work together in order to find the man in question, however, each one them carries their own hidden agenda.
 
Raiders of the Lost Spy
Judging by the title and the trailer, I thought that I’m in for a heist movie, but I was completely mistaken. Tokyo Raiders can be best described as a mix between a mystery spoof and a spy/action thriller made purposely for the Chinese New Year. From the very first scene, the viewers are thrown in medias res of the story as Tony Leung epically knocks down with an umbrella hordes of bad guys to the flamenco beats very much in style of the Gypsy Kings.
 
The development of events (who is who and what is going on) becomes clear only 30 minutes into the picture, as the character of Lam delivers a lengthy exposition. However, this in turn initiates a cascade of triple plot twists, because it turns out that the whole exposition was fake and, actually, our main heroes are not who they claim to be (immortal spoilers!). This method of being kept in the dark may be perceived as the movie’s disadvantage by some, but I didn’t mind it at all and just went along with the light-hearted goofiness on screen.
 
Additionally, the movie is filled with lots of great action set pieces. These may not be Jet Li or Donnie Yen’s standard, but they are enjoyable nonetheless, especially as many of the fights are elaborated into chase scenes. Thus, we get to see a street chase, a road chase, and even a water chase with some memorable Tokyo locations in the background. All of this combined with the crazy awesome music score by Peter Kam.
 
With regard to performances, Tony Leung is evidently too cool for school in the role of a detective/spy as he overtakes the picture with his charisma (it’s clearly visible that he had a lot of fun on the set). Kelly Chen serves as a great addition in the role of a heartbroken bride and provides the movie with a substantial amount of charm and elegance. Ekin Cheng is the third great pillar of the film, especially in terms of the fight scenes. The three actors worked together so well that their chemistry is reflected in the characters. I only wish that Kelly and Ekin could have reprised their roles in the sequels. In addition, Cecylia Cheung as one of Lam’s Charlie’s Angels and Hiroshi Abe as an allergic yakuza boss deserve a mention.
 
Recommendations
Safely recommended to anyone who is looking for an hour and a half of good entertainment. Tokyo Raiders reminded me greatly about Asian “midnight” movies, shoved out of the main TV programme format, which I used to watch a lot as a teenager. The movie is great fun in a light tone and with a well-choreographed action. It really deserves a wider recognition, instead of being underrated. What is more, Tokyo Raiders is also responsible for marking the end of a certain technological era as it was the very last motion picture released on LaserDisc. All things considered, see it if you can, because they don’t make them like they used to.
Overall score: 8/10

Police Story 3: Super Cop (1992) [Film Review]

Police Story 3; or, Super Cop with a Vengeance
     Super cops in Hong Kong are cheap and plentiful like commodities in supermarkets.
It took 5 years for Jackie Chan to become convinced by a young, up-and-coming director Stanley Tong to make a third Police Story movie. The end result became an unforgettable rollercoaster of awesome action set pieces and the finest entry in the Police Story trilogy. I’m talking about Police Story 3: Super Cop.
Release Info
Directed by: Stanley Tong Starring: Jackie Chan, Michelle Yeoh, Yuen Wah, Maggie Cheung
Language: Cantonese Original Title: 警察故事3超级警察 Runtime: 95 min
 
Synopsis
Chinese authorities are plagued with drug smuggling business run by a ruthless criminal called Chaibat (Kenneth Tsang). They decide to carry out a joint HK-China operation in order to break up the crime lord’s smuggling ring. Inspector Ka-kui is sent to Guangzhou where he teams up with Inspector Jessica Yang (Michelle Yeoh). The two go undercover and rescue Panther (Yuen Wah), Chaibat’s right-hand man. This becomes their pass into the organisation, and they soon after find themselves helping to stage a jailbreak of Chaibat’s wife (Josephine Koo) in Kuala Lumpur. However, Ka-kui’s real identity is exposed and now he has to save his girlfriend May (Maggie Cheung) as well as chase after Chaibat.
 
Think Fast, Look Alive, Kick Hard
Police Story 3 does not waste time as it goes from a straightforward exposition into breathtaking stunts. Contrary to the previous two movies, the storylines of which seemed to have been crafted around action set pieces, the plot line in this one appears to be the easiest to follow as Jackie and Michelle work together to get through Yuen Wah to Tsang.
 
However, while I personally find this part as the best of the series, it still carriers some of the series’ shortcomings, like, for example, evident absence of grittiness (serious stuff is only subtly hinted at: girls dying from drug overdose) which got replaced by usual Jackie’s shenanigans (hiding from May; Inspector Yang posing as Ka-kui’s sister), but these quickly pale in the blinding light of fast-paced action.
 
Super Cop does not offer a bus chase or exploding factory, but in turn, we get to see a boat chase, criminals’ base camp scorched to bits, and the outstanding finale in Kuala Lumpur which is a top-notch 10 minutes long sequence. Basically, everybody just remembers the moment of a helicopter landing on a speeding train (no CGI!), but for me, the best part is Jackie hanging hundreds of feet above Kuala Lumpur's downtown. In an interview, Jackie recalled fearing this stunt as he was attached to the helicopter’s ladder only by steel wires.
 
However, Jackie was not the only person whom the movie has taken its toll on. Michelle Yeoh not only had to jump with a bicycle on a train, but she also had to jump on the hood of a car, which required multiple painful takes. In addition, Maggie Cheung badly injured herself while performing an actual fall out of a helicopter. If you have doubts as to how much blood, sweat, and tears went into making this sequel, all the evidence is present in the end credits’ outtakes.
 
In terms of trivia, it should be mentioned that this was the first Hong Kong film to use sync sound; thus, you can hear Jackie’s original voice (in Police Story 1 and 2, he was dubbed by a professional voice actor). Also, Police Story 3 got butchered by the Dimension Films in 1996: standard crappy English dub, music score replacement, scenes cut out, and some fight screams added. Sadly, the Dimension version is the most prevalent one on DVD for years.
 
Throughout the film, Jackie Chan is basically Jackie Chan, but Michelle Yeoh provides a worthy addition as his sidekick, Inspector Yang, (she rightfully deserved a spin-off movie called Project S (1993), directed by Stanley Tong). Maggie Cheung reprises her role as May, but her character is used mostly for comedic effects. Yuen Wah proves to be a great baddie with a prowess strong enough that he could carry the film as the lead, whereas Kenneth Tsang does a commendable job as the villainous, James Bond-like, madman. Interestingly, Josephine Koo, an award-winning actress still in the movie business, plays the supporting role of a wife in distress.
 
Recommendations
Highly recommended to anyone who is into action or new to Jackie Chan’s classics. Police Story 3 delivers everything required from an action flick and to date remains a steadfast point of Jackie’s filmography. I always enjoy going back to it in the moment of need. This movie is an excellent showcase of great stunt work before the advent of the CGI era. Putting it short, Police Story 3: Super Cop is a definite must-see.
Overall score: 9/10