Samjin Company English Class (2020) [Film Review]

Samjin Company English Class; or, Girl Power!
     Do you know why office workers can’t be detectives? We have neither time nor authority.
I think I would not have discovered this film if it had not been for a recommendation from my wonderful friend from MDL, Yuanwei. Samjin Company English Class is a 2020 comedy drama directed by Lee Jong Pil and Lee Jung Beom. It is yet another motion picture (see Office Royale: Hell’s Garden and Shomuni franchise) focusing on the challenging plight of hardworking office ladies.

Release Info

Directed by: Lee Jong Pil, Lee Jung Beom Starring: Go Ah Sung, Esom, Park Hye Soo

Language: Korean Original Title: 삼진그룹 영어토익반 Runtime: 110 min

Synopsis
South Korea, 1995. This is a time of major economic growth for the country. Companies are expanding to international markets and Windows has become a leading operating system across the globe. We follow three office ladies: Lee Ja Young (Go Ah Sung), Jeong Yoo Na (Esom), and Sim Bo Ram (Park Hye Soo) who are forced to do petty tasks at Samjin Corporation. Nevertheless, the three friends are ambitious and resourceful. They want to climb up the career ladder. As a result, they sign up to TOEIC-level English class. One day, Lee Ja Young accidentally discovers that there is a spill of a toxic substance known as Phenol from the Samjin factory. The office ladies begin their private investigation in the course of which they uncover a corporate conspiracy.

English is easy
I have to say that Samjin Company English Class feels very much like a spiritual companion piece to Shomuni (1998). The narrative structure is the same: OLs with vibrant personalities are basically the underdogs, and they oppose their white-collar superiors; the time setting fits perfectly: the 1990s; and even their company uniforms look very similar. Needless to say, these are the basic ingredients which make this movie entertaining, and even better than the reboot season of Shomuni from 2013.

I very much appreciated that the main heroines are not hateful or toxic towards each other, but from beginning to the end, they had each other’s back and were really engaged in doing their own investigation/corporate espionage. What is more, each character utilised her personal skill to get the job done. At first, I thought that the English class with this introverted, yet a bit impatient teacher (totally me, by the way) was just a comic-relief gimmick, but it actually served a purpose in the context of the film! In consequence, I very much value the message coming from this movie. That is: If you want to achieve something, you need to better yourself and never give up.

The ending was, in general, satisfying but a bit convoluted. In order to understand what is going on, you need to have a good idea of how big corporations actually work. Initially, I thought that there would be a hostile takeover, but actually, the baddies lowered the value of a company and tried to merge it with another one. I hope I understood this correctly. I sucked at a Business English course at my university. In addition, I don’t think that what I just wrote is a spoiler because there are many plot twists in the finale.

Speaking about performances, I love all the main actresses so much! Esom in particular won me over with her elegant and confident demeanour. Go Ah Sung is adorable as the office lady who wants to make a difference. Sim Bo Ram is extremely funny as a reserved maths genius who constantly looks for a fish called Rambo(!). Kim Jong Soo has a great supporting part as Sim Bo Ram’s mentor and friend. It is also nice to see Bae Hae Seon in a small role as a copywriter. As for David McInnis (who did very well as the CEO), casting foreign actors as baddies in Korean productions gradually becomes a clichéd trope. Please someone do something about this.

Recommendations
Samjin Company English Class is worth your attention mainly due to great performances, wonderful retrowave music score, top-notch production design, and cinematography filled with warm colours. The end credits constitute a separate, little artwork as well! So yes, you can’t go wrong with these office ladies. I am hoping that there is a chance for a sequel.

Overall score: 8/10

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Patlabor 2: The Movie (1993) [Anime Review]

Patlabor: The Movie 2; or, Tinker, Tailor, Ingram, Spy
     The line that separates a just war from an unjust peace isn't very clear. Ever since hypocrites have made peace their just cause, we've lost faith in that peace. Just as wars give rise to peace, peace also gives rise to war. An empty, hollow "peace" that only defines itself as "not war" will eventually be replaced by something that is a state of war in all but name.
After the successful Patlabor: The Movie (1989) and Patlabor: The New Files OVA (1990-1992), Headgear decided to put the franchise to a rest with Patlabor 2: The Movie (1993) directed by the famous Mamoru Oshii. In contrast to the previous entries, the final chapter of the Patlabor series feels like an espionage thriller with philosophical ponderings about life known from Ghost in the Shell (1995). However, first and foremost, this anime feature is Oshii’s personal protest against Japanese politics.

Release Info

Directed by: Mamoru Oshii Voice actors: Yoshiko Sakakibara, Ryuusuke Oobayashi, Miina Tominaga, Toshio Furukawa

Language: Japanese Original Title: 機動警察パトレイバー2 the Movie Runtime: 108 min

Synopsis
Three years after the events from the first movie, we see that the members of SV2 Section 2 have gone their separate ways. Noa and Shinohara are now Labor testers, whereas Ota has become an instructor at the police academy, and Shinshi has been transferred to Tokyo MPD. The only people who stayed in SV2 are Hiromi Yamazaki as well as Captain Goto and Captain Nagumo. All of a sudden, the Yokohama Bay Bridge is destroyed by a military missile. This event sets into motion a domino effect which leads to a growing conflict between the Japanese government and JSDF forces. Goto and Nagumo believe that a person responsible for all this is a former UN soldier, Tsuge, who wants to stage a fake coup d’état.

All the good things…
I have to admit that I loathed reviewing this particular film because I had a really hard time understanding what exactly Mamoru Oshii tried to get across with this story. Only after rewatching the film three more times, reading a couple of online essays, and consulting fellow Patlabor fans, Oshii’s intentions became clearer to me.

Patlabor 2: The Movie, contrary to the first theatrical movie, is not an adventure story with comedy elements, but an evaluation of Japan’s participation in the Cold War. When America and the Soviet Union were putting missiles against each other and stealing vital information, Japan claimed that it was neither participating nor taking sides in the conflict. Oshii puts to the test this illusion of a peaceful nation in Patlabor 2. What is more, the existence and purpose of the Japan Self-Defense Forces seem problematic to the director. The opening sequence of the movie serves as a reference to the Cambodian incident, in the course of which two JSDF officers lost their lives. In other words, Patlabor 2 is not a story about clumsy policemen and an optimistic future, but it is about the hypocrisy of politicians who create “unjust peace.”

Oshii’s thoughtful statements uttered through the characters of Goto, Nagumo, Aragaki, and Tsuge are indeed intriguing, but they consequently slow the picture down. The director stated that a lot of action waters down the ideas conveyed in scenes, so he opted for the usage of long shots. As a result, we get a very serious and long winded movie with characters constantly talking and often doing nothing more than just sitting. These cold espionage vibes may be good for an adaptation of John Le Carre’s novel, but they do not work that well in the Patlabor world.

Interestingly, the premise of the story (former mentor of an SV2 officer trying to overthrow the government) greatly resembles the finale of Patlabor: Early Days OVA. Mamoru Oshii himself actually predicted in The Making of Patlabor 2 (1994) documentary when he stated: “So, in the third one, we’ll make an involved story and create a non Patlabor movie.” He also added that he could continue making new Patlabor stories if there were new characters and a somewhat different world  (indeed, that’s what happened with The Next Generation: Patlabor (2014) drama series).

Speaking about performances, the characters of Noa and Shinohara are a bit sidelined in this film, so do not get to her a lot from Miina Tominaga and Toshio Furukawa, respectively. However, Ryuusuke Oobayashi as Goto and Yoshiko Sakakibara as Shinobu are pushed to the foreground in this picture. I could listen to their voices all day long. There is also a great supporting part done by Naoto Takenaka.

Recommendations
All things considered, Patlabor 2: The Movie is a classic anime feature. Even though the first movie is my favourite theatrical film, I shall always regard the sequel as the final chapter of the wonderful science-fiction franchise. If you love the characters of Goto and Shinobu as much as I do, then check it out.
Overall score: 7/10

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Police Story 4: First Strike (1996) [Film Review]

Police Story 4: First Strike; or, The Manhattan Project

     Killing me won't bring him back. Give me the bomb, and I'll give you the money. I promise. And then you'll never see me again.

Police Story 4: First Strike punched its way to the big screen on the 10th of February, 1996. It is the fourth entry in Jackie Chan’s successful Police Story franchise and also the second movie, after Police Story 3: Super Cop (1992), directed by stuntman/filmmaker Stanley Tong. Interestingly, many online sources often omit First Strike together with a spin-off film, Project S (1993), from rundowns of the series. Even though First Strike may be a forgotten Police Story sequel, it is still part of the franchise and deserves to be discussed.
Release Info

Directed by: Stanley Tong Starring: Jackie Chan, Jackson Lou, Wu Chen-chun, Yuriy Petrov

Language: English, Cantonese, Russian Original Title: 警察故事4之簡單任務 Runtime: 110 min (U.S. cut: 80 min)

 

Synopsis

Officer Ka-kui (Jackie Chan) is sent by uncle Wong (Bill Tung) on a mission to follow a Ukrainian woman. It turns out that she serves as the middle man in a transaction between an elusive spy Tsui (Jackson Lou) and the Russian mobsters who want to buy nuclear warheads. Ka-kui interrupts the transaction, but he gets badly injured in the process. He is rescued by the FSB agency and the Russian authorities send him to Australia so that he can track down Tsui. Ka-kui’s only lead is Tsui’s younger sister, Annie (Wu Chen-chun).

Never Say Never Again

Police Story 4: First Strike is yet another 90s action-packed comedy filled with Jackie’s breathtaking stunts. The storyline must have been inspired by Bond movies, particularly GoldenEye (1995), due to espionage vibes and the nuclear weapons plot. However, as in many Jackie Chan’s movies, the screenplay serves only as an excuse to present a sequence of elaborate action set pieces.

 

In my opinion, First Strike lacks a bit in terms of action when compared to the previous three films. Indeed, there are some great scenes (for example, a ski chase, fight on parapets of a hotel, or a showdown at an aquarium), but none of these surpass Jackie’s mall jump in the first movie or train fight in Super Cop. Nevertheless, I appreciate beautiful locations shot in the city of Brisbane, Australia.

 

That is not to say that First Strike is not enjoyable. On the contrary, it is an entertaining action flick, but its main disadvantage is caused by the fact that there are two versions of the film available out there: The original uncut version (which runs at 110 minutes) and the American cut (with 80 minutes of runtime). First Strike is one of the rare Jackie’s productions that I prefer to watch in an altered form.

 

The uncut version has atrocious multi-national dialogue (caused by amateur actors playing foreigners), bad pacing, and the music score that is basically a looped tune. The American cut, on the other hand, has extended opening credits, brand new English dubbing, and catchy music score composed by J. Peter Robison. This cuts trims a bit the prologue sequence and the aquarium fight. The only scene which, I believe, was fully deleted features Jackie begging for money to make a phone call. In addition, the title was altered as well. Instead of being called a Police Story, the film was released in the U.S. as Jackie Chan’s First Strike.

 

Recommendations

Ironically, Police Story 4: First Strike serves as an example presenting that a movie can be either broken or improved in the editing room. Do I recommend it? Yes, but go for the American version. In consequence, you will not be disappointed. Interestingly, First Strike remains (to date!) Jackie Chan’s Hong Kong highest grossing picture. I wish that Jackie could keep making Police Story sequels throughout the 90s. Eventually, he did make New Police Story and Police Story 2013, but these were much more serious in tone.

Overall score: 6/10

The Next Generation Patlabor: Tokyo War (2015) [Film Review]

The Next Generation Patlabor: Tokyo War; or, Oshii Strikes Back

It's a tradition of SV2. Is it OK with you, as the second generation Captain?

     We've made it this far. I consider the tradition as a blessing.

Four months after the release of the drama, Mamoru Oshii concluded his live-action Patlabor project with the premiere of The Next Generation Patlabor: Tokyo War in Japanese cinemas on the 1st of May, 2015. It is the final chapter of the new SV2’s story arc while also explaining the aftermath of the events from Patlabor 2: The Movie (1993). Is it a worthy live-action adaptation? Let’s find out.

Release Info

Directed by: Mamoru Oshii Starring: Erina Mano, Toshio Kakei, Reiko Takashima, Yoshiko Sakakibara

Language: Japanese Original Title: THE NEXT GENERATION パトレイバー　首都決戦 Runtime: 94 min

 

Synopsis

13 years after Yukihito Tsuge’s attempted coup d’état, the followers of his ideals try to recreate the state of nationwide unrest with the bombing of the Rainbow Bridge in Tokyo. Captain of the SV2, Keiji Gotoda (Toshio Kakei) is recruited by Kei Takahata (Reiko Takashima) from Public Security to help her find and arrest the terrorists. In the meantime, Captain Nagumo Shinobu (Yoshiko Sakakibara) returns from the UN’s mission in the Middle East and informs Gotoda what really happened to her and Goto after the apprehension of Tsuge. In order to stop the chaos, Gotoda opposes his incompetent superiors and sends the SV2 team on the search for a highly advanced military helicopter known as the Grey Ghost.

 

Shoot for Tomorrow!

Upon its original release, the movie did less than well at the box office, becoming the least grossing live-action Japanese production of 2015. Nevertheless, apart from the standard home video release, the producers pushed hard for a Director’s Cut edition in order to reimburse the income loss. However, Mamoru Oshii claims that he was the one lobbying for the Director’s Cut because he was denied of this privilege for theatres. Regardless of who is right in this conflict, one thing which is certain is that the movie is not for everyone.

 

In comparison with the drama, much of the light-hearted tone and comedy was significantly toned down. Right from the opening scene, Oshii replicates the dead-serious atmosphere from Patlabor 2: The Movie. In fact, The Next Generation Patlabor: Tokyo War is not just a follow-up but also a remake of that classic anime feature. Did you like such sequences as Wyvern interception, assault on the Yokohama Bay Bridge, Shinobu’s demotion, Goto’s pondering about peace, the destruction of SV2 base, or exploding Tokyo MPD? Well, you’re in luck because Tokyo War re-enacts those scenes nearly frame by frame.

 

If you expect an original story with mecha action, then you may be disappointed. I, on the other hand, was quite satisfied. In spite of Oshii’s standard philosophical interjections, I enjoyed the film for what it was and what it tried to achieve. It serves as a poetic echoing of the second anime movie. While reiterating Oshii’s views from the anime on the current political state of Japan, it also gets across the message about doing the right thing. The “time bomb” in the story are Tsuge’s followers and it is up to Gotoda and his team to stop them, so that they could prove to themselves that they truly are SV2 police officers.

 

Apart from nostalgic referencing, I also liked the fact that the character of Captain Nagumo Shinobu was brought back. We can’t see her face but she speaks in her original voice from the anime, provided by the legendary Yoshiko Sakakibara. In addition, I also enjoyed the presence of Reiko Takashima who this time had more stuff to than in the drama. Her character felt as the substitute for Shinobu and she had a great chemistry with Toshio Kakei playing Gotoda. Other cast members from the drama (I’m looking at you Erina Mano, Seiji Fukushi, and Rina Ohta) also did extremely well.

 

Recommendations

If you like the drama and love the second anime film, then The Next Generation Patlabor: Tokyo War is the movie for you. I appreciate the amount of sweat which Oshii put into this, but I don't approve his constant espionage-thriller take on the series. Nevertheless, I honestly would love to see the sequel (though it’s unlikely). This film proves that Patlabor can exist outside of the anime realm and that there’s still lots of cinematic potential for this franchise. Maybe somebody else will take over and come up with new live action films in the future? I can only hope. In the meantime, I will be revisiting this flick every once in a while.

Overall score: 7/10